A Tribute to Artist Robert Piser

The Gallery at The Brooks is excited and honored to have on exhibit the graphic works of the late artist, Robert Piser. On exhibit is the last of his personally signed fine giclee prints from his "Road Trip" series. These are all 'new media pencil' recreations of Travel Decals...

Robert Piser (1952 - 2014) was an American artist who came to prominence in the 1970s transition from Pop Art to post-modernism.

Piser was born in Connecticut, grew up in Tarzana, in the San Fernando Valley suburbs of Los Angeles. Piser lived and worked in Berkeley, later returning to Los Angeles where he worked as an art director and scenic artist in film, commercials, music videos and photo shoots. Piser studied art and fine art lithography at Otis Art Institute, California College of Arts and Crafts, San Francisco Art Institute and U.C. Berkeley.
He is perhaps best known in the 1970s as the inventor of the idea of using newspaper vending machines to distribute art. He produced "The Daily Palette", for six years, during which time he printed and distributed silkscreen art prints he made of his and other local artists' paintings and drawings, via newspaper vending machines around the San Francisco Bay Area.
Rober Piser worked in painting, drawing, sculpture, photography and fine art printing.

 

Sharing the July exhibition with Robert Piser is San Diego artist, Mary Fleener. On exhibit are works from her original Jazz Cats series, acrylic on canvas.

 

Born in Los Angeles when smog was at an all time high, Hollywood was still glamorous, and every woman's ambition was to own a mink coat. Inherited good art genes from my mother and never wanted to do anything else. Attended Cal State University at Long Beach and majored in Printmaking, but I really learned NOTHING and consider the work I do today as Self Taught.

In 1984, after reading an article in the LA Weekly by Matt Groening about "the new comics", I started drawing and writing my own comic stories. I'd always harbored a secret desire to be a cartoonist, and was greatly influenced by Robert Crumb and MAD MAGAZINE, so I started self-publishing my own "mini comics". First solo comic was HOODOO (1988), a tribute to the Harlem Renaissance writer, Zora Neale Hurston. Her folk tales gave me the idea to illustrate my own "party stories", and the best of these were collected in the book, LIFE OF THE PARTY (1994). This book has been translated into German and the Spanish edition will be out this year.
In Illustration work has been in THE SD READER, OC WEEKLY, VILLAGE VOICE, SPIN, GUITAR PLAYER, MUSICIAN, ENTERTAINMENT WEEKLY, and projects like THE GUITAR COOKBOOK, WEIRD TALES OF THE RAMONES CD box set, STARTIME - the James Brown CD box set, Carlsbad Museum of Making Music - "Hands on the Future" exhibit, and CD covers for The Insect Surfers and Buddy Blue.
My paintings have been exhibited at La Luz de Jesus Gallery, Track 16, David Zapt Gallery, Laguna Beach Art Museum Annex, LACE (Los Angeles), COCA (Seattle), Southwestern College, Patricia Correia Gallery, Sushi Gallery and Ducky Waddle's Emporium.
I also enjoy making hand built ceramics and wheel thrown functional pieces that I glaze and fire in my own kiln. I also enjoy painting on velvet, that which we all consider the King of Kitsch, but which also makes my color and "cubismo" style of drawing even more dramatic and mysterious on the plush background of black velvet.
My home is in Encinitas, which I share with my husband, a dog, a cat, and lots of stringed instruments. We have a band called THE WIGBILLIES.

 

Oceanside's First Friday Art Walk, July 3rd, 6-9pm. Please join us and other local galleries for the fun.

 

artist Diana Carey

The Gallery at The Brooks is pleased to have on exhibit for the month of June, the thrown and splattered paintings of artist, Diana Carey

                    Jacaranda 4/ 24x24"  thrown and splattered paint on canvas  2015

Diana Carey's Tree Triptych is on semi permanent display in the lobby of The Sunshine Brooks Theatre. She is also our resident fine art curator. Come meet Diana and view her works during the Oceanside First Friday Art Walk, June 5 6-9pm in The Gallery at The Brooks. Yael and Vlad from Big Boss Bubeleh will be  performing in the lobby.

 

Life is not a straight line

Diana Carey’s paintings are painted with a gestural technique; throwing, splattering and dripping numerous layers of acrylic house paint onto prone canvas using brushes and sticks. The paintings subject matter varies from landscape to nests and tangles. The technique is abstract, the style, impressionism.

Many of the works are over eight feet. By virtue of size and technique the viewer is led into the tangled threads and splatters of paint to discover the substance and feel of the subject matter, the essence of the painted, formed amidst the perceived chaos of drips and splashes. A performance art visualized with impasto effect, one whose outcome is immediately recognized as being rendered with intent, without intention rendering technique. There is an element of unpredictability, due to the technique, which allows for the perceived chaos to coalesce into an image, with observation.

What may initially appear to be simple tosses of paint, is actually quite difficult. Numerous times paintings have been discarded because the work has not come together correctly to create the interpretational essence envisioned by the artist, which is the feel of the image, not a photographic representation, but the idea of the subject. The emotions invoked when one experiences that subject or environment, in a personal as well as universal manner, is what the artist strives to attain.